bITS 'N CHUNKS
Well, looks like it's about that time again -- holy shit has it really only been a month? Time flies when you're depressed.
Quick, what would make you whip your coworker around in their chair and shove a phone in their face and say, "Look. LOOK. Look at the things."
Why do we share?
The feeling of exclusivity. Walk with me here.
It's fun to feel part of a secret group, right? It's fun to go into a place and immediately hug everyone there and feel smug. Just admit it! It's way more fun to talk about events in retrospect than it is to actually talk about them while you're there. You're still making stories to tell while you're in the moment; the good shit happens after everyone leaves and stops asking you a bunch of questions.
The good shit goes down when you get to say, "oh, you missed it."
Oh you missed the last show? Brutal. Well, too bad you can't catch up now. (You really can on ï»¿Powerbombï»¿, but let's pretend that doesn't exist.) Well, here we go, NOW...
Well, it's time to get back in the swing of things.
Look, I don't know where inspiration comes from. 'K? I don't care. As I think I've explained previously, I don't get too sentimental about my writing process. For me personally, I have to just do it. I can't really go hunting for clues because I'll exhaust my brain and quit.
Well, at some point, I had kind of quit.
I hope we all know at this point Alfred Hitchcock was... well, to say problematic skirts the issue of him being fucking terrible. To women, to coworkers, to his actors. He was like Kubrick x 1000 and Kubrick was no slouch. Hitchcock also happens to be my personal guide when it comes to writing and manipulation of fiction, so to say I've mentally canceled him or something isn't true either. Pairing the two is difficult in my mind sometimes. But Hitchcock (and Welles, and Kubrick, and...) was a notoriously difficult and meticulous man and would often fall into bouts of depression when he was done planning production and had to get to the actual directing bit. The directing bit wasn't challenging. I feel that.
I don't ask where inspiration comes from because that's the hard part. Writing, not so much. I've had so little and have been so mentally scattered. So when inspiration cropped up in a potential zine contribution, right or wrong goddamnit I took it and ran with it.
And so, I began to... write. I started on that project, first. Didn't like it, will table that one. But I decided in my head that I would finish a project I had started a while ago. Wasn't a fresh idea but it fit the criteria and, well, I need to finish it.
I went from that project to another in dissatisfaction and awe, and decided I finally had some time to shove a few things off my desk. But how to get back into something you haven't looked at for almost a year? How to recapture the mood? How to get to the ending I've long since forgotten since I live my life on the square and I don't write my endings?
(I really don't write my endings)
I decided on music. I would play a little mood music to recapture the mood. Not the music I was listening to at the time because I really don't remember and I kind of don't care. Just... music. After a while, I found myself listening to or thinking about the same things over and over. I made a quick experimental playlist of what's been getting me through chapters. When I'm ready again, another?
Hello, it's me again, the owner of this site.
Well shipmates, it's been quite a wild ride these past few months. I lost my day job, regained a day job, lost that day job, took a vacation for a while. I was not really in a position to do all that, but for the sake of my mental health I had to do that.
In that time, I did work. I wrote. I did a little something something. I went to wrestling again. I disappointed myself. I read. I maintained the illusion of productivity and when I screamed and tore that all down, I did absolutely nothing. And I can't say I didn't enjoy it.
But let's talk about a... weird experience that I didn't really get into at the beginning of the year.
So a while ago, I did a The Biz post on paid in exposure versus paid in cash. In that post, hopefully I expounded that I'm a little more lax in my ideas of writers getting "paid" in exposure. Does it always work? Not really. You get your name out there in front of someone, but being paid for your efforts and labor is a lot better than not. But I do believe the question then and always is, how the hell do you stop getting paid in dust?
It's... hard. And in 2018 the year of our lord, I feel like I'm back to square one with that position.
I've taken a gamble on volunteer contributions. Generally these are projects I strongly believe in and are fun to do for me. These blogs are free, obviously. Recently, if you don't follow me on social media, you may not know that I've been doing recaps of Lucha Underground for Blerds Online. If you've tumbled by my space recently, you'll know that I love wrestling. Scratch that, you'll know that I fucking love wrestling. I've enjoyed the challenge of recapping a television show, something I've seldom done... and a balls to walls wrestling show at that. I feel like I would like to do that in the future, but for now I'm just trying to finish the end of the season.
I do other blog projects for free, too. I have no real expectation of getting paid in that arena. I'm glad to offer my expertise and get a few new eyes on me in the process, and try something different.
But what happens... marginalized folks, feel me on this. What happens when you're the token? What happens when conditions and terms aren't clear?
There was an article I contributed to a site a while ago. I very much believed in this project and it was an analysis that I wanted to contribute, but per the site guidelines and owner themselves I was kind of expecting some money. In the course of hashing it out with the editor, I noted that not a single time did we ever discuss online payment. The obvious answer is because: it wasn't happening. There was a bit of fine print that wasn't explained to me. And because my contribution was a website blog, I would get a gift package as a compensation (which I never received, mind you). I'm not afraid of naming and shaming but in this case I'd rather not, I have a strong suspicion that no one's really submitting to that place. Plus, I kind of did on social media already. Whoops!
Another one I'm not about to name is... well, you ever get paid for something then quickly realize it was penance? Kind of like how people will eat a shitty diet consistently then turn around and drink a gallon of water and assume it'll purify them? I submitted a piece to a popular satirical news site because they were looking for black writers. I fit that bill. News writing isn't really my thing, but I decided to swing at it. Plus, they paid. Oh, they paid alright. In the end, they paid for my blackness, never published the piece (to be fair, it was pretty niche), then hired two black staff writers right behind me so they didn't need me anymore.
Why would I tell that story? Because it's whiteness at work. It's confusion. It's so long & thanks for all the fish, but I didn't really need it. You know? That was my first time feeling tokenized in a very long time and I was happy to forget how gross it felt up until that point.
I'm fine. I keep trying, of course. I try not to burn bridges, but the Leo/Aquarius combo in me sometimes just can't keep it chill. And I want you to know, too. All I can say is... be careful.
In the opening monologue of The Prestige, John Cutter runs down the plot of the movie in disguise for the audience by explaining the philosophy behind a magician's deceit. I find this to be true for multiple mediums when we deal with fiction or some form of performance. It feels like trickery because it is; why do we enjoy it so much? Is it the sheer escapism? The part that I always take home, here, is "the turn":
"Now you're looking for the secret... but you won't find it, because, of course, you're not really looking. You don't really want to know. You want to be fooled."
Hands up, I'm caught and I admit it. I wanna be fooled. I don't want this gimmick called "insider knowledge". And there's no better time for levity, I tell you, than after a funeral.
I see it all perfectly; there are two possible situations — one can either do this or that. My honest opinion and my friendly advice is this: do it or do not do it — you will regret both.
Kierkegaard is discussing the option of marriage in Either/Or; but, you know, in the internet age we like to take quotes out of context. What if you did nothing or everything? What if you denied yourself one thing out of caution for another? What if I stayed home under the threat of a good time with Netflix binging instead of, oh, I don't know, going out?
Surprise, I showed up. Had to find out.
"And you came here?"
For a split second I thought to myself, you're silly. Where else would I be with the migraine that's been shadowing me since Friday night?
(It was Sunday afternoon.)
I spoke to a couple of folks who were also beset with various calamities and we showed up anyway; that sickness is contagious.
Ia! If you've come this far, you're either looking for weird or you know you've found it...